[Raphael's] great superiority is due to the instinctive sense which, in him, seems to desire to shatter form. Form is, in his figures, what it is in ourselves, an interpreter for the communication of ideas and sensations, an exhaustless source of poetic inspiration. Every figure is a world in itself, a portrait of which the original appeared in a sublime vision, in a flood of light, pointed to by an inward voice, laid bare by a divine finger which showed what the sources of expression had been in the whole past life of the subject.
The urge to create a fictional narrative is a mysterious one, and when an idea comes, the writer's sense of what a story wants to be is only vaguely visible through the penumbra of inspiration.
All religions lead to the same God, and all deserve the same respect. Anyone who chooses a religion is also choosing a collective way for worshipping and sharing the mysteries. Nevertheless, that person is the only one responsible for his or her actions along the way and has no right to shift responsibility for any personal decisions on to that religion.
At night, when the objective world has slunk back into its cavern and left dreamers to their own, there come inspirations and capabilities impossible at any less magical and quiet hour. No one knows whether or not he is a writer unless he has tried writing at night.
In all the languages in the world, there is the same proverb: "What the eyes don't see, the heart doesn't grieve over." Well, I say that there isn't an ounce of truth in it. The further off they are, the closer to the heart are all those feelings that we try to repress and forget.
If We All Could Be A True Friend To Someone, Praying And Encouraging One Person Somehow, That's A First Step In Being Part Of Making The World A Better Place.