The Good Spirit never cared for the colleges, and though all men and boys were now drilled in Greek, Latin, and Mathematics, it had quite left these shells high on the beach, and was creating and feeding other matters [science] at other ends of the world.
One that actually relates to all Latin American literature: that is, not every author is interested in being a representative of his or her national culture on the global stage.
Jorge Luis Borges had the soapbox and the authority to complain about this myopic understanding of the duty of Latin American writers, which sometimes forecloses their unique modernism and experience of modernization in favor of a mythic past or an artificially constructed ideal national subject. So likewise in João Gilberto Noll, readers shouldn't expect samba and Carnival and football. The Brazilian national identity is not one of his primary concerns.
TEDIUM, n. Ennui, the state or condition of one that is bored. Many fanciful derivations of the word have been affirmed, but so high an authority as Father Jape says that it comes from a very obvious source --the first words of the ancient Latin hymn _Te Deum Laudamus_. In this apparently natural derivation there is something that saddens.
It is wonderful how soon a piano gets into a log-hut on the frontier. You would think they found it under a pine-stump. With it comes a Latin grammar, and one of those tow-head boys has written a hymn on Sunday. Now let colleges, now let senates take heed! for here is one who, opening these fine tastes on the basis of the pioneer's iron constitution, will gather all their laurels in his strong hands.
Demon mean knowledge in Greek, especially about the material world. Science means knowledge in Latin. A jurisdictional dispute is exposed, even if we look no further
The regular course of studies, the years of academical and professional education, have not yielded me better facts than some idle books under the bench at the Latin School.
With My Dog-Eyes by Hilda Hilst got more exposure and reached far more readers than I ever expected. Even my editor at Melville House, who championed the project form the outset, told me she was surprised by the response. After this, editors began asking my opinion about which Latin American writers ought to be translated. I realized I had some cultural capital to spend, and I wanted to use it to introduce another author who might be considered a risk by conventional publishers. Michael Noll was at the top of my list.