I am eighty years old. There seems to be nothing to add to this statement. I have reached the age of undecorated facts - facts that refuse to be softened by sentiment, or confused by nobility of phrase.
Our belief in education is unbounded, our reverence for it is unfaltering, our loyalty to it is unshaken by reverses. Our passionate desire, not so much to acquire it as to bestow it, is the most animated of American traits.
Sensuality, too, which used to show itself course, smiling, unmasked, and unmistakable, is now serious, analytic, and so burdened with a sense of its responsibilities that it passes muster half the time as a new type of asceticism.
The party which is out sees nothing but graft and incapacity in the party which is in; and the party which is in sees nothing but greed and animosity in the party which is out.
There is something frightful in being required to enjoy and appreciate all masterpieces; to read with equal relish Milton, and Dante, and Calderon, and Goethe, and Homer, and Scott, and Voltaire, and Wordsworth, and Cervantes, and Molière, and Swift.
Those persons are happiest in this restless and mutable world who are in love with change, who delight in what is new simply because it differs from what is old; who rejoice in every innovation, and find a strange alert pleasure in all that is, and that has never been before.
A villain must be a thing of power, handled with delicacy and grace. He must be wicked enough to excite our aversion, strong enough to arouse our fear, human enough to awaken some transient gleam of sympathy. We must triumph in his downfall, yet not barbarously nor with contempt, and the close of his career must be in harmony with all its previous development.
There is a secret and wholesome conviction in the heart of every man or woman who has written a book that it should be no easy matter for an intelligent reader to lay down that book unfinished. There is a pardonable impression among reviewers that half an hour in its company is sufficient.
the most comfortable characteristic of the period [1775-1825], and the one which incites our deepest envy, is the universal willingness to accept a good purpose as a substitute for good work.
Wit is artificial; humor is natural. Wit is accidental; humor is inevitable. Wit is born of conscious effort; humor, of the allotted ironies of fate. Wit can be expressed only in language; humor can be developed sufficiently in situation.