I don’t understand the hatred and fear of gays and bisexuals and lesbians… it’s a concept I honestly cannot grasp. To me, it’s not who you love… a man, a woman, what have you… it’s the fact that you love. That is all that truly matters.
My grandfather was a provider. Work, any kind of work, was the joy of his life. So I grew up having a certain relationship to work. It was something that I always wanted.
The hardest thing about being famous is that people are always nice to you. You're in a conversation and everybody's agreeing with what you're saying - even if you say something totally crazy. You need people who can tell you what you don't want to hear.
We're charlatans in a way, we're magic people. Part of the behind the scenes stuff is to loosen you up, to make you feel that you are experiencing this. This is my style, I did it in Looking for Richard, too. And I figure, if I can weave it into the actual play and get the audience interested, like the robes going up and down, they'll pay attention long enough to consume it.
I wanted to be a baseball player, naturally, but I wasn't good enough. I didn't know what I was going to do with my life. I just had a kind of energy, I was a fairly happy kid.
[Oscar Wilde's Salome screenplay] is not autobiographical in a sense where you go to my house and see my kids and stuff like that, but that's why I guess it's semi-autobiographical.