I speak French with timidity, and not flowingly--except when excited. When using that language I have often noticed that I have hardly ever been mistaken for a Frenchman, except, perhaps, by horses; never, I believe, by people.
I notice that you use plain, simple language, short words and brief sentences. That is the way to write English―it is the modern way and the best way. Stick to it; don't let fluff and flowers and verbosity creep in. When you catch an adjective, kill it. No, I don't mean utterly, but kill most of them―then the rest will be valuable. They weaken when they are close together. They give strength when they are wide apart. An adjective habit, or a wordy, diffuse, flowery habit, once fastened upon a person, is as hard to get rid of as any other vice.
What is the most rigorous law of our being? Growth. No smallest atom of our moral, mental, or physical structure can stand still a year. It grows - it must grow; nothing can prevent it.
I have damaged my intellect trying to imagine why a man should want to invent a repeating clock, and how another man could be found to lust after it and buy it. The man who can guess these riddles is far on the way to guess why the human race was invented - which is another riddle which tires me.
I have witnessed and greatly enjoyed the first act of everything which Wagner created, but the effect on me has always been so powerful that one act was quite sufficient; whenever I have witnessed two acts I have gone away physically exhausted; and whenever I have ventured an entire opera the result has been the next thing to suicide.
The test of any good fiction is that you should care something for the characters; the good to succeed, the bad to fail. The trouble with most fiction is that you want them all to land in hell, together, as quickly as possible.