In a perfect world, there would be no censorship, because there would be no judgement. I find the hypocritical aspect disconcerting, to say the least. We can show people being murdered on television, but I'm not able to say "chickenshit" in public. At the same time, I understand that people are afraid. Because I think censorship is about fear. It's just fear being projected onto art.
I'm excited about there being more of a sisterhood these days. Back in the '90s there was a lot of hate - the women I looked up to as artists were dissing me! It's not so patriarchal these days - there's more love and a lot less hate!
There is consequence of our forgetting who we are. Forgetting that we're able to create our environment, from our health to economy to war. Something can be done about everything we perceive as bad, if we so choose. If we are aware of the concept of compassion.
I just feel compelled to continue to be transparent. It just really levels the playing field and eradicates the shame that I have, or that one might have, about being human. So I'm going to just keep going.
At some point, I would like to write a book and other things, but I work best when there is some sort of deadline in my own mind, but not when fifty people or fifty million people are breathing down the back of my neck.
Stay and respond and expand and include and allow and forgive and enjoy and evolve and discern and inquire and accept and admit and divulge and open and reach out and speak up, this is utopia.
What influenced me was Tori Amos, who was unapologetic about expressing anger through music, and Sinead O'Connor. Those two in particular were really moving for me, and very inspiring, before I wrote 'Jagged Little Pill.'