What I try to keep in mind is that there are going to be a lot of articles that are going to be misrepresentative of what I'm about as a person and as a writer.
I'm a liability to them - I'm a woman, I'm empowered, I'm an artist. I've had executives who can't come to my shows they're so scared of me. I've been a thorn in many people's sides just by existing.
But I love to entertain. My vocation is to accrue all these experiences, to write about them, to get them out of my system, to not get sick, and then to share them publicly.
If someone hates or loves something, then right on. I can't rob them of that. I'm not going to try and change their mind. Something's been triggered in them to react so emotionally.
I rejected the God that was portrayed as masculine and judgmental and cruel at times. The concept of us bring not worthy to receive him is something I used to say every Sunday in church, and eventually I just couldn't say it with any conviction.
Most of the songs are, in a roundabout way, actually addressed to myself, there's a certain aspect of the songs that's very confessional, very unadulterated...It was a very unfettered, spiritual experience.
When someone says that I'm angry it's actually a compliment. I have not always been direct with my anger in my relationships, which is part of why I'd write about it in my songs because I had such fear around expressing anger as a woman.
Canada has a passive-aggressive culture, with a lot of sarcasm and righteousness. That went with my weird messianic complex. The ego is a fascinating monster. I was taught from a young age that I had to serve, so that turned into me thinking I had to save the planet.
Ageism works in both directions. As a teenager in the public eye, people would talk condescendingly to me. When you get older there's this feeling that you have to start carving up your face and body. Right now I'm in the middle ground - I think women in their thirties are taken seriously.