Man's relations to man do not captivate my fancy. It is man's relation to the cosmos--to the unknown--which alone arouses in me the spark of creative imagination.
There were nameless horrors abroad; and no matter how little one might be able to get at them, one ought tp stand prepared for any sort of action at any time.
Any magazine-cover hack can splash paint around wildly and call it a nightmare, or a witches sabbath or a portrait of the devil; but only a great painter can make such a thing really scare or ring true. That's because only a real artist knows the anatomy of the terrible, or the physiology of fear.
The ignorant and the deluded are, I think, in a strange way to be envied. That which is not known of does not trouble us, while an imagined but insubstantial peril does not harm us. To know the truths behind reality is a far greater burden.
The one test of the really weird (story) is simply this--whether or not there be excited in the reader a profound sense of dread, and of contact with unknown spheres and powers; a subtle attitude of awed listening, as if for the beating of black wings or the scratching of outside shapes and entities on the known universe's utmost rim.
There be those who say that things and places have souls, and there be those who say they have not; I dare not say, myself, but I will tell of The Street.
The appeal of the spectrally macabre is generally narrow because it demands from the reader a certain degree of imagination and a capacity for detachment from every-day life. Relatively few are free enough from the spell of the daily routine to respond to rappings from outside, and tales of ordinary feelings and events, or of common sentimental distortions of such feelings and events, will always take first place in the taste of the majority; rightly, perhaps, since of course these ordinary matters make up the greater part of human experience.
If I could create an ideal world, it would be an England with the fire of the Elizabethans, the correct taste of the Georgians, and the refinement and pure ideals of the Victorians.
I never cheat or steal. Also, I never wear a top-hat with a sack coat or munch bananas in public on the streets, because a gentleman does not do those things either. I would as soon do the one as the other sort of thing--it is all a matter of harmony and good taste.
We love kitties, gawd bless their little whiskers, and we don't give a damn whether they or we are superior or inferior! They're confounded pretty, and that's all we know and all we need to know!