There are two kinds of suffering. There is the suffering you run away from, which follows you everywhere. And there is the suffering you face directly, and so become free.
The fact is that the beautiful, humanly speaking, is merely form considered in its simplest aspect, in its most perfect symmetry, in its most entire harmony with our make-up. Thus the ensemble that it offers us is always complete, but restricted like ourselves. What we call the ugly, on the contrary, is a detail of a great whole which eludes us, and which is in harmony, not with man but with all creation. That is why it constantly presents itself to us in new but incomplete aspects.
Hana, everything that God made valuable in the world is covered and hard to get to. Where do you find diamonds? Deep down in the ground, covered and protected. Where do you find pearls? Deep down at the bottom of the ocean, covered up and protected in a beautiful shell. Where do you find gold? Way down in the mine, covered over with layers and layers of rock. You've got to work hard to get to them.
After all, what would be "beautiful" if the contradiction had not first become conscious of itself, if the ugly had not first said to itself: "I am ugly"?.
Man demands truth and fulfills this demand in moral intercourse with other men; this is the basis of all social life. One anticipates the unpleasant consequences of reciprocal lying. From this there arises the duty of truth. We permit epic poets to lie because we expect no detrimental consequences in this case. Thus the lie is permitted where it is considered something pleasant. Assuming that it does no harm, the lie is beautiful and charming.
You don't love a woman because she is beautiful, but she is beautiful because you love her. Never underestimate the power of love. The way to love anything is to realize it may be lost. The heart has its reasons that reason does not know at all. Music is love in search of a word. There is pleasure in the pathless woods; there is a rapture on the lonely shore; There is society, where none intrudes, by the deep sea, and music in its roar.
I don't remember forms or faces now, but I know the girl was beautiful. I know she was; for in the bright moonlight nights, when I start from my sleep, and all is quiet about me, I see, standing still and motionless in one corner of this cell, a slight and wasted figure with long black hair, which streaming down her back, stirs with no earthly wind, and eyes that fix their gaze on me, and never wink or close.