The Bostonians take their learning too sadly: culture with them is an accomplishment rather than an atmosphere; their "Hub," as they call it, is the paradise of prigs.
What the worm was to the corpse, his sins would be to the painted image on the canvas. They would mar its beauty, and eat away its grace. they would defile it, and make it shameful. And yet the thing would still live on. It would be always alive. (Dorian Gray regarding his portrait)
He had uttered a mad wish that he himself might remain untarnished, and the face on the canvas bear the burden of his passions and his sins; that the painted image might be seared with the lines of suffering and thought, and that he might keep all the delicate bloom and loveliness of his then just conscious boyhood.
I envy you going to Oxford: it is the most flower-like time of one's life. One sees the shadow of things in silver mirrors. Later on, one sees the Gorgon's head, and one suffers, because it does not turn one to stone.
Always! That is a dreadful word. It makes me shudder when I hear it. Women are so fond of using it. They spoil every romance by trying to make it last forever. It is a meaningless word, too. The only difference between a caprice and a life-long passion is that the caprice lasts a little longer.
The amount of women in London who flirt with their own husbands is perfectly scandalous. It looks so bad. It is simply washing one's clean linen in public.
Romance should never begin with sentiment. It should begin with science and end with a settlement. Nothing spoils romance so much as a sense of humor in the woman. When one is in love one always begins by deceiving oneself, and one always ends by deceiving others. This is what the world calls a romance.