The reason Milton wrote in fetters when he wrote of Angels and God, and at liberty when of Devils and Hell, is because he was a true poet and of the Devil's party without knowing it.
I wander thro' each charter'd street, Near where the charter'd Thames does flow, And mark in every face I meet Marks of weakness, marks of woe. In every cry of every Man, In every Infant's cry of fear, In every voice, in every ban, The mind-forg'd manacles I hear. How the Chimney-sweeper's cry Every black'ning Church appalls; And the hapless Soldier's sigh Runs in blood down Palace walls. But most thro' midnight streets I hear How the youthful Harlot's curse Blasts the new born Infant's tear, And blights with plagues the Marriage hearse.
Ah, sunflower, weary of time, Who countest the steps of the sun, Seeking after that sweet golden clime Where the traveller's journey is done; Where the youth pined away with desire And the pale virgin shrouded in snow Arise from their graves, and aspire Where my sunflower wishes to go.
Come o'er the eastern hills, and let our winds Kiss thy perfumed garments; let us taste Thy morn and evening breath; scatter thy pearls Upon our love-sick land that mourns for thee.
O Winter! bar thine adamantine doors: The north is thine; there hast thou build thy dark, Deep-founded habitation. Shake not thy roofs, Nor bend thy pillars with thine iron car.
Poetry fettered, fetters the human race. Nations are destroyed or flourish in proportion as their poetry, painting, and music are destroyed or flourish.