Anna Petrovna (to Shabelsky): You can't make a simple joke without an injection of venom. You are a poisonous man. Joking apart, Count, you're very poisonous. It's hideously boring to live with you. You're always grumpy, complaining, you find everyone bad, good for nothing. Tell me frankly, Count, did you ever speak well of anyone?
Wherever there is degeneration and apathy, there also is sexual perversion, cold depravity, miscarriage, premature old age, grumbling youth, there is a decline in the arts, indifference to science, and injustice in all its forms.
I will begin with what in my opinion is your lack of restraint. You are like a spectator in a theatre who expresses his enthusiasm so unrestrainedly that he prevents himself and others from hearing. That lack of restraint is particularly noticeable in the descriptions of nature with which you interrupt dialogues; when one reads them, these descriptions, one wishes they were more compact, shorter, say two or three lines.
Lermontov died at age twenty-eight and wrote more than have you and I put together. Talent is recognizable not only by quality, but also by the quantity it yields.
In all my life I never met anyone so frivolous as you two, so crazy and unbusinesslike. I tell you in plain Russian your property is going to be sold and you don't seem to understand what I say.
These people have learned not from books, but in the fields, in the wood, on the river bank. Their teachers have been the birds themselves, when they sang to them, the sun when it left a glow of crimson behind it at setting, the very trees, and wild herbs.
Three o'clock in the morning. The soft April night is looking at my windows and caressingly winking at me with its stars. I can't sleep, I am so happy.
Everyone judges plays as if they were very easy to write. They don't know that it is hard to write a good play, and twice as hardand tortuous to write a bad one.
Do you see that tree? It is dead but it still sways in the wind with the others. I think it would be like that with me. That if I died I would still be part of life in one way or another.
And what does it mean -- dying? Perhaps man has a hundred senses, and only the five we know are lost at death, while the other ninety-five remain alive.
If there's a gun on the wall in act one, scene one, you must fire the gun by act three, scene two. If you fire a gun in act three, scene two, you must see the gun on the wall in act one, scene one.