When one sees one of the romantic creatures before him he imagines he is looking at some holy being, so wonderful that its one breath could dissolve him in a sea of a thousand charms and delights; but if one looks into the soul -- it's nothing but a common crocodile.
Love is a great thing. It is not by chance that in all times and practically among all cultured peoples love in the general senseand the love of a man for his wife are both called love. If love is often cruel or destructive, the reasons lie not in love itself, but in the inequality between people.
My own experience is that once a story has been written, one has to cross out the beginning and the end. It is there that we authors do most of our lying.
At the door of every happy person there should be a man with a hammer whose knock would serve as a constant reminder of the existence of unfortunate people.
[Six principles that make for a good story:] 1. Absence of lengthy verbiage of a political-social-economic nature; 2. total objectivity; 3. truthful descriptions of persons and objects; 4. extreme brevity; 5. audacity and originality: flee the stereotype; 6. compassion.
Critics are like horse-flies which hinder the horses in their plowing of the soil. The horse works, all its muscles drawn tight like the strings on a double-bass, and a fly settles on his flanks and tickles and buzzes. And what does the fly buzz about? It scarcely knows itself; simply because it is restless and wants to proclaim: 'Look, I too am living on the earth. See, I can buzz, too, buzz about anything.'
No matter how corrupt and unjust a convict may be, he loves fairness more than anything else. If the people placed over him are unfair, from year to year he lapses into an embittered state characterized by an extreme lack of faith.