The morning breaks; the steeds in their stalls
Stamp and neigh, as the hostler calls;
The day returns, but nevermore
Returns the traveler to the shore,
And the tide rises, the tide falls.
Even the blackest of them all, the crow, Renders good service as your man-at-arms, Crushing the beetle in his coat of mail. And crying havoc on the slug and snail.
Art is the child of Nature; yes, Her darling child, in whom we trace The features of the mother's face, Her aspect and her attitude, All her majestic loveliness Chastened and softened and subdued Into a more attractive grace, And with a human sense imbued. He is the greatest artist, then, Whether of pencil or of pen, Who follows Nature.
Many critics are like woodpeckers, who, instead of enjoying the fruit and shadow of a tree, hop incessantly around the trunk, pecking holes in the bark to discover some little worm or other.
.... Anon from the castle walls The crescent banner falls, And the crowd beholds instead, Like a portent in the sky, Iskander's banner fly, The Black Eagle with double head. And shouts ascend on high .....'' Long live Scanderbeg.
O summer day beside the joyous sea!
O summer day so wonderful and white,
So full of gladness and so full of pain!
Forever and forever shalt thou be
To some the gravestone of a dead delight,
To some the landmark of a new domain.
Perhaps there lives some dreamy boy, untaught
In schools, some graduate of the field or street,
Who shall become a master of art,
An admiral sailing the high seas of thought
Fearless and first, and steering with his fleet
For lands not yet laid down in any chart.