What has been done in the world - the works of genius - cost nothing. There is no painful effort, but it is the spontaneous flowing of the thought. Shakespeare made his Hamlet as a bird weaves its nest.
Idealism sees the world in God. It beholds the whole circle of persons and things, of actions and events, of country and religion,not as painfully accumulated, atom after atom, act after act, in an aged creeping Past, but as one vast picture, which God paints on the instant eternity, for the contemplation of the soul.
All writing is by the grace of God. People do not deserve to have good writing, they are so pleased with bad. In these sentences that you show me, I can find no beauty, for I see death in every clause and every word. There is a fossil or a mummy character which pervades this book. The best sepulchers, the vastest catacombs, Thebes and Cairo, Pyramids, are sepulchers to me. I like gardens and nurseries. Give me initiative, spermatic, prophesying, man-making words.
The glory of the farmer is that, in the division of labors, it is his part to create. All trade rests at last on his primitive activity. He stands close to Nature; he obtains from the earth the bread and the meat. The food which was not, he causes to be.
The common experience is, that the man fits himself as well as he can to the customary details of that work or trade he falls into, and tends it as a dog turns a spit. Then he is part of the machine he moves; the man is lost.
The peril of every fine faculty is the delight of playing with it for pride. Talent is commonly developed at the expense of character, and the greater it grows, the more is the mischief. Talent is mistaken for genius, a dogma or system for truth, ambition for greatness, ingenuity for poetry, sensuality for art.
Poets should be law-givers; that is, the boldest lyric inspiration should not chide and insult, but should announce and lead the civil code, and the day's work.
There is a mortifying experience in particular, which does not fail to wreak itself also in the general history; I mean "the foolish face of praise," the forced smile which we put on in company where we do not feel at ease, in answer to conversation which does not interest us. The muscles, not spontaneously moved but moved, by a low usurping wilfulness, grow tight about the outline of the face, with the most disagreeable sensation.