It is frivolous to fix pedantically the date of particular inventions. They have all been invented over and over fifty times. Man is the arch machine, of which all these shifts drawn from himself are toy models. He helps himself on each emergency by copying or duplicating his own structure, just so far as then need is.
Time, which shows so vacant, indivisible, and divine in its coming, is slit and peddled into trifles and tatters. A door is to bepainted, a lock to be repaired. I want wood, or oil, or meal, or salt; the house smokes, or I have a headache; then the tax; and an affair to be transacted with a man without heart or brains; and the stinging recollection of an injurious or very awkward word,--these eat up the hours.
In private places, among sordid objects, an act of truth or heroism seems at once to draw to itself the sky as its temple, the sun as its cradle. Nature stretches out her arms to embrace man, only let his thoughts be of equal greatness.
He in whom the love of truth predominates . . . submits to the inconvenience of suspense and imperfect opinion; but he is a candidate for truth . . . and respects the highest law of his being.
To me, however, the question of the times resolved itself into a practical question of the conduct of life. How shall I live? We are incompetent to solve the times. Our geometry cannot span the huge orbits of the prevailing ideas, behold their return, and reconcile their opposition. We can only obey our own polarity.
We are always getting ready to live, but never living... The wave moves onward but the particles of which it is composed do not... It cannot be but that at intervals throughout society there are real men intermixed . . . as the carpenter puts one iron bar in his bannister for every five or six wooden ones.
Man is priest, and scholar, and statesman, and producer, and soldier. In the divided or social state these functions are parcelled out to individuals, each of whom aims to do his stint of the joint work, whilst each other performs his.
Since everything in nature answers to a moral power, if any phenomenon remains brute and dark, it is that the corresponding faculty in the observer is not yet active.
The masters painted for joy, and knew not that virtue had gone out of them. They could not paint the like in cold blood. The masters of English lyric wrote their songs so. It was a fine efflorescence of fine powers.
Observe how every truth and every error, each a thought of someone's mind, clothes itself with societies, houses, cities, language, ceremonies, newspapers