As for the story, whether the poet takes it ready made or constructs it for himself, he should first sketch its general outline, and then fill in the episodes and amplify in detail.
There is no better feeling than when you write something you know is a piece of you and that, at some point, is going to communicate with someone else.
This letter gives me a tongue; and were I not allowed to write, I should be dumb.
[Lat., Praebet mihi littera linguam:
Et, si non liceat scribere, mutus ero.]
I am trying to get the hang of this new fangled writing machine, but I am not making a shining success of it. However, this is the first attempt I have ever made & yet I perceive I shall soon & easily acquire a fine facility in its use. ... The machine has several virtues. I believe it will print faster than I can write. One may lean back in his chair & work it. It piles an awful stack of words on one page. It don't muss things or scatter ink blots around. Of course it saves paper.
From the point of view of literature Mr. Kipling is a genius who drops his aspirates. From the point of view of life, he is a reporter who knows vulgarity better than any one has ever known it.
And the reason I am so nervous is that everything I do now is leading me to one of three possible futures... Which one will it be? Time alone will tell. But still I know that writing this diary can perhaps provide the answer; it may even help produce the right future.
I cannot write in English, because of the treacherous spelling. When I am reading, I only hear it and am unable to remember what the written word looks like.
My reason for writing stories is to give myself the satisfaction of visualising more clearly and detailedly and stably the vague, elusive, fragmentary impressions of wonder, beauty, and adventurous expectancy which are conveyed to me by certain sights (scenic, architectural, atmospheric, etc.), ideas, occurrences, and images encountered in art and literature.
For my part, I consider that it will be found much better by all parties to leave the past to history, especially as I propose to write that history myself.
Everyone judges plays as if they were very easy to write. They don't know that it is hard to write a good play, and twice as hardand tortuous to write a bad one.