The world is filled with the proverbs and acts and winkings of a base prudence, which is a devotion to matter, as if we possessedno other faculties than the palate, the nose, the touch, the eye and ear; a prudence which adores the Rule of Three, which never subscribes, which never gives, which seldom lends, and asks but one question of any project,--Will it bake bread?
O Fame! if I ever took delight in thy praises, Twas less for the sake of thy high-sounding phrases, Than to see the bright eyes of the dear one discover The thought that I was not unworthy to love her.
On the altar you are looking at the same thing as you saw there last night. You have not heard, however, what this is, what it signifies, or about the greatness of the reality of which it is a sacrament. Your eyes are looking at bread and cup. This is the evidence before your physical sight. But your faith must be instructed concerning it- this bread being Christ 's Body and the cup containing His Blood. Though perhaps these words may be enough to initiate faith, faith must be further instructed in accordance with the Prophet's words: 'Believe that you may understand'
Let Justice, blind and halt and maimed, chastise the rebel spirit surging in my veins, let the Law deal me penalties and pains And make me hideous in my neighbours' eyes.
Clothes make the man. Naked people have little or no influence on society. You cannot depend on your eyes when your imagination is out of focus. As in the words of Wayne Dyer, when you change the way you look at things, the things you look at change. Sometimes to know with certainty that a particular thing is "true", will actually be the very thing that keeps you from attaining the things you seek to achieve.
I have been one acquainted with the night. I have walked out in rain - and back in rain. I have outwalked the furthest city light. I have looked down the saddest city lane. I have passed by the watchman on his beat And dropped my eyes, unwilling to explain.
But man postpones or remembers; he does not live in the present, but with reverted eye laments the past, or, heedless of the riches that surround him, stands on tiptoe to foresee the future. He cannot be happy and strong until he too lives with nature in the present, above time.
One thing about this face was very strange and startling. You could not look upon it in its most cheerful mood without feeling that it had some extraordinary capacity of expressing terror. It was not on the surface. It was in no one feature that it lingered. You could not take the eyes or mouth, or lines upon the cheek, and say, if this or that were otherwise, it would not be so. Yet there it always lurked-something for ever dimly seen, but ever there, and never absent for a moment.
Manhattan streets with their powerful throbs, with beating drums as
now,
The endless and noisy chorus, the rustle and clank of muskets, (even
the sight of the wounded,)
Manhattan crowds, with their turbulent musical chorus!
Manhattan faces and eyes forever for me.
Eloquence shows the power and possibility of man. There is one of whom we took no note, but on a certain occasion it appears that he has a secret virtue never suspected - that he can paint what has occurred and what must occur, with such clearness to a company, as if they saw it done before their eyes. By leading their thought he leads their will, and can make them do gladly what an hour ago they would not believe that they could be led to do at all.
Do you know what friendship is?' he asked. 'Yes,' replied the gypsy; 'it is to be brother and sister; two souls which touch without mingling, two fingers on one hand.' 'And love?' pursued Gringoire. 'Oh! love!' said she, and her voice trembled, and her eye beamed. 'That is to be two and to be but one. A man and a woman mingled into one angel. It is heaven.
When I was a small boy, old people used to squat down to my eye level and ask me what I wanted to be when I grew up, to which my answer was invariably, "a pirate." Their stunned silence was always very reassuring.