O me! O life!... of the questions of these recurring; of the endless trains of the faithless... of cities filled with the foolish; what good amid these, O me, O life?
The truest and greatest Poetry, (while subtly and necessarily always rhythmic, and distinguishable easily enough) can never again, in the English language, be express'd in arbitrary and rhyming metre, any more than the greatest eloquence, or the truest power and passion.
My ties and ballasts leave me - I travel - I sail - My elbows rest in the sea-gaps. I skirt the sierras. My palms cover continents - I am afoot with my vision.
Now, dearest comrade, lift me to your face,
We must separate awhileHere! take from my lips this kiss.
Whoever you are, I give it especially to you;
So long!And I hope we shall meet again.
At times it has been doubtful to me if Emerson really knows or feels what Poetry is at its highest, as in the Bible, for instance, or Homer or Shakspeare. I see he covertly or plainly likes best superb verbal polish, or something old or odd
I do not think seventy years is the time of a man or woman, Nor that seventy millions of years is the time of a man or woman, Nor that years will ever stop the existence of me, or any one else.
...of two simple men I saw today on the pier in the midst of the crowd, parting the parting of dear friends, the one to remain hung on the other's neck and passionately kissed him. While the one to depart tightly pressed the one to remain in his arms.