The natural equipment to accomplish some small part of the meaner ambitions distinguishing able men from dead ones. In the last analysis ability is commonly found to consist mainly in a high degree of solemnity.
Snow pursued by the wind is not wholly unlike a retreating army. In the open field it ranges itself in ranks and battalions; where it can get a foothold it makes a stand; where it can take cover it does so. You may see whole platoons of snow cowering behind a bit of broken wall.
MYTHOLOGY, n. The body of a primitive people's beliefs concerning its origin, early history, heroes, deities and so forth, as distinguished from the true accounts which it invents later.
Damning, with bell, book and candle / Some sinner whose opinions are a scandal. / A rite permitting Satan to enslave him / Forever, and forbidding Christ to save him.
OBLIVION, n. Cold storage for high hopes. A place where ambitious authors meet their works without pride and their betters without envy. A dormitory without an alarm clock.
ZENITH, n. The point in the heavens directly overhead to a man standing or a growing cabbage. A man in bed or a cabbage in the pot is not considered as having a zenith, though Horizontalists hold that the posture of the body was immaterial.
ROMANCE, n. Fiction that owes no allegiance to the God of Things as They Are. In the novel the writer's thought is tethered to probability, but in romance it ranges at will over the entire region of the imagination . . .
RAREBIT n. A Welsh rabbit, in the speech of the humorless, who point out that it is not a rabbit. To whom it may be solemnly explained that the comestible known as toad-in-a-hole is really not a toad, and that riz-de-veau à la financière is not the smile of a calf prepared after the recipe of a she banker.
PLAGUE, n. In ancient times a general punishment of the innocent for admonition of their ruler, as in the familiar instance of Pharaoh the Immune. The plague today . . . is merely Nature's fortuitous manifestation of her purposeless objectionableness.
EAT, v.i. To perform successively (and successfully) the functions of mastication, humectation, and deglutition. 'I was in the drawing-room, enjoying my dinner,' said Brillat-Savarin, beginning an anecdote. 'What!' interrupted Rochebriant; 'eating dinner in a drawing-room?' 'I must beg you to observe, monsieur,' explained the great gastronome, 'that I did not say I was eating my dinner, but enjoying it. I had dined an hour before.'
Suddenly to change one's opinions and go over to another party. The most notable flop on record was that of Saul of Tarsus, who has been severely criticised as a turn-coat by some of our partisan journals.