I don't love the business. I never wanted to be a part of it. I don't think any actor does. Most of the time, I've been really fortunate to work with people who are really fun to work with. It doesn't mean we don't take it seriously, but no one is under the delusion (that we're) bringing world peace.
There's something really fun and spooky about that teenage feeling of narcissism or indestructibility, like the idea that every night might be the night before the world ends.
God could create the world in six days because he didn't have to make it compatible with the previous version.
Go to Heaven for the climate, Hell for the company
The bipartisan approach filtered up through my typewriter. I used to say, "Mad takes on both sides." We even used to rake the hippies over the coals. They were protesting the Vietnam War, but we took aspects of their culture and had fun with it. Mad was wide open. Bill loved it, and he was a capitalist Republican. I loved it, and I was a liberal Democrat. That went for the writers, too; they all had their own political leanings, and everybody had a voice. But the voices were mostly critical. It was social commentary, after all.
Every fight I mature. I'm getting older. I'm maturing as a man. I'm maturing more inside the ring, but at the end of the day I'm still Adrien Broner. I'm still that kid who's living his dream and I'm just having fun.
But once I acclimated and really used fame for what it was offering me as a tool to serve my life purpose of inspiring and contributing, then it started to get fun again.
I mean you know at midnight everything is going to turn to pumpkins and mice; right? But if the evening goes along, I mean, you know, the guys look better all the time, the music sounds better, it's more and more fun, you think why the hell should I leave at quarter of 12. I'll leave at two minutes to 12. But the trouble is, there are no clocks on the wall. And everybody thinks they're going to leave at two minutes to 12.