It may be safely affirmed that there neither is, nor can be, any essential difference between the language of prose and metrical composition.... They both speak by and to the same organs; the bodies in which both of them are clothed may be said to be of the same substance, their affections are kindred, and almost identical, not necessarily differing even in degree; Poetry sheds no tears "such as Angels weep," but natural and human tears; she can boast of no celestial ichor that distinguishes her vital juices from those of prose; the same human blood circulates through the veins of them both.
"I have not made any arrogant, confident, boasting predictions at all. On the contrary, I have stuck hard to my "blood, toil, tears and sweat," to which I have added muddle and mismanagement, and that, to some extend I must admit, is what you have got out of it."
He was sailing over a boundless expanse of sea, with a blood-red sky above, and the angry waters, lashed into fury beneath, boiling and eddying up, on every side. There was another vessel before them, toiling and labouring in the howling storm: her canvas fluttering in ribbons from the mast.
We make a contract within ourselves as actors or directors or writers about how much of ourselves we let into projects. You can actually figure out before you work on something how much blood you will have to let emotionally.
And priests dare babble of a God of peace,
Even whilst their hands are red with guiltless blood,
Murdering the while, uprooting every germ
Of truth, exterminating, spoiling all,
Making the earth a slaughter - house!
In the Spanish people there is a mixture of Gothic, Frankish and Moorish blood. One can speak of the Spaniard as one would speak of a brave anarchist. The Arabian epoch-the Arabs look down on the Turks as they do on dogs-was the most cultured, the most intellectual and in every way best and happiest epoch in Spanish history. It was followed by the period of the persecutions with its unceasing atrocities.
So he was deserted. The whole world was clamouring: Kill yourself, kill yourself, for our sakes. But why should he kill himself for their sakes? Food was pleasant; the sun hot; and this killing oneself, how does one set about it, with a table knife, uglily, with floods of blood, - by sucking a gaspipe? He was too weak; he could scarcely raise his hand. Besides, now that he was quite alone, condemned, deserted, as those who are about to die are alone, there was a luxury in it, an isolation full of sublimity; a freedom which the attached can never know.