I was attracted to photography because it was technical, full of gadgets, and I was obsessed with science. But at some point around fifteen or sixteen, I had a sense that photography could provide a bridge from the world of science to the world of art, or image. Photography was a means of crossing into a new place I didn't know.
Make everything as simple as possible, but not simpler. A man should look for what is, and not for what he thinks should be. We cannot solve our problems with the same thinking we used when we created them. A question that sometimes drives me hazy: am I or are the others crazy? Any intelligent fool can make things bigger and more complex... It takes a touch of genius - and a lot of courage to move in the opposite direction. All religions, arts and sciences are branches of the same tree. It's not that I'm so smart, it's just that I stay with problems longer.
My work is always a ready-made... cultural, political, or social, and also it could be art - to make people re-look at what we have done, its original position, to create new possibilities.
In sculpture did ever anybody call the Apollo a fancy piece? Or say of the Laocoon how it might be made different? A masterpiece of art has in the mind a fixed place in the chain of being, as much as a plant or a crystal.
New York is a city where you're so alone, you're an individual, you can disappear. You can make something happen. But it's very different to make something happen in the art world.
A work of art is the unique result of a unique temperament. Its beauty comes from the fact that the author is what he is. ...Art is the most intense mode of Individualism that the world has known. I am inclined to say that it is the only real mode of Individualism that the world has known. ...Art is Individualism.
A Classical style... is the syllogism of art, the only legitimate process from one world to another. Classicism is not the manner of any fixed age or of any fixed country; it is a constant state of the artistic mind. It is a temper of security and satisfaction and patience.
So in war, the way is to avoid what is strong and to strike at what is weak. Water shapes its course according to the nature of the ground over which it flows; the soldier works out his victory in relation to the foe whom he is facing.
As for borrowing Mr. Whistler's ideas about art, the only thoroughly original ideas I have heard him express have had reference to his own superiority as a painter over painters greater than himself.
Alas, sir, how fell you besides your five wits?" Malvolio: "Fool, there was never a man so notoriously abused. I am as well in my wits, fool, as thou art." Feste: "But as well? Then you are mad indeed, if you be no better in you wits than a fool.