We seldom break our leg so long as life continues a toilsome upward climb. The danger comes when we begin to take things easily and choose the convenient paths.
I see is that there are many people who destroy their marriages because of one-night stands with someone else. And as the French say, "C'est ne pas grave." It's not something easy to swallow, but at the same time, it does not justify you to end a long-lasting relationship because something happened.
We're charlatans in a way, we're magic people. Part of the behind the scenes stuff is to loosen you up, to make you feel that you are experiencing this. This is my style, I did it in Looking for Richard, too. And I figure, if I can weave it into the actual play and get the audience interested, like the robes going up and down, they'll pay attention long enough to consume it.
I see is that there are many people who destroy their marriages because of one-night stands with someone else. And as the French say, "C'est ne pas grave." It's not something easy to swallow, but at the same time, it does not justify you to end a long-lasting relationship because something happened.
The vixen I met at twilight on Route 5 south of Willoughby: long dead. She was an omen to me, surviving, herding her cubs in the silvery bend of the road in nineteen sixty-five.
I let myself go at the beginning and write with an easy mind, but by the time I get to the middle I begin to grow timid and to fear my story will be too long. . .That is why the beginning of my stories is always very promising and looks as though I were starting on a novel, and the middle is huddled and timid, and the end is...like fireworks.
I warn the marauder dragging plunder, chaotic, rich beyond all rights: he'll strike his sails, harried at long last, stunned when the squalls of torment break his spars to bits.
He had not yet lived long enough to have discovered that nothing is more close at hand then the impossible, and that what must be looked for is always the unforeseen.