A reader is doubly guilty of bad manners against an author when he praises his second book at the expense of his first (or vice versa) and then expects the author to be grateful for what he has done.
I think what gets you through a small writing project, is just one burst of inspiration. A book, especially a longer book, it's a different kind of force that pushes you through it. It's a vision of the whole thing.
Kong Qiu, or Master Kong as he was known, did not live to see his days of glory. During his lifetime, his views were received with scorn. But that was about two thousand five hundred years ago. A handful of his dedicated followers passed on Confucius' teachings to future generations.
After Confucius' death, his followers published his teachings in the book, The Analects of Confucius.
Now as to magic. It is surely absurd to hold me "weak" or otherwise because I choose to persist in a study which I decided deliberately four or five years ago to make, next to my poetry, the most important pursuit of my life...If I had not made magic my constant study I could not have written a single word of my Blake book, nor would The Countess Kathleen have ever come to exist. The mystical life is the center of all that I do and all that I think and all that I write.
In this job, there are some simple pleasures that really help you cope. One is books, I mean, books are a great escape. Books are a way to get your mind on something else.
I've written a book that hopefully will give people a sense of what [presidency] was like. I hope my friends read it and say, "Now I understand." I hope my detractors read it and say, "Well, I better understand."
The novel is the one bright book of life. Books are not life. They are only tremulations on the ether. But the novel as a tremulation can make the whole man alive tremble.
In company with people of your own trade you ordinarily speak of other writers' books. The better the writers the less they will speak about what they have written themselves. Joyce was a very great writer and he would only explain what he was doing to jerks. Other writers that he respected were supposed to be able to know what he was doing by reading it.
How do you tell a valuable French book?' 'First there are the pictures. Then it is a question of the quality of the pictures. Then it is the binding. If a book is good, the owner will have it bound properly. All books in English are bound, but bound badly. There is no way of judging them.
I'm still happy with the way Einstein's Dreams came out. That book came out of a single inspiration. I really felt like I was not creating the words, that I was hearing the words. That someone else was speaking the words to me and I was just writing them down. It was a very strange experience. That can happen with a short book. I don't think it could happen with a long book.
A good book changes for you every few years because you are in a different place in your own life. That's a sign of a good novel. Not only will two different readers get something different but so will a single reader at different points in his life.
One receives as reward for much ennui, despondency, boredom -such as a solitude without friends, books, duties, passions must bring with it -those quarter-hours of profoundest contemplation within oneself and nature. He who completely entrenches himself against boredom also entrenches himself against himself: he will never get to drink the strongest refreshing draught from his own innermost fountain.
Somewhere, everywhere, now hidden, now apparent in what ever is written down, is the form of a human being. If we seek to know him, are we idly occupied?
The art of not reading is a very important one. It consists in not taking an interest in whatever may be engaging the attention of the general public at any particular time. When some political or ecclesiastical pamphlet, or novel, or poem is making a great commotion, you should remember that he who writes for fools always finds a large public. A precondition for reading good books is not reading bad ones: for life is short.
Not very good, I am afraid. But now really, do not you think Udolpho the nicest book in the world?" "The nicest—by which I suppose you mean the neatest. That must depend upon the binding.