I expect that my readers have been to Europe, I expect them to have some feeling for a foreign language, I expect them to have read books - there are a lot of people like that! That's my audience.
Be a little careful about your library. Do you foresee what you will do with it? Very little to be sure. But the real question is what it will do with you? You will come here and get books that will open your eyes, and your ears, and your curiosity, and turn you inside out or outside in.
Culture is everything. Culture is the way we dress, the way we carry our heads, the way we walk, the way we tie our ties - it is not only the fact of writing books or building houses.
Neither can embellishments of language be found without arrangement and expression of thoughts, nor can thoughts be made to shine without the light of language.
[Among the books he chooses, a statesman] ought to read interesting books on history and government, and books of science and philosophy; and really good books on these subjects are as enthralling as any fiction ever written in prose or verse.
In this way they went on, and on, and on-in the language of the story-books-until at last the village lights appeared before them, and the church spire cast a long reflection on the graveyard grass; as if it were a dial (alas, the truest in the world!) marking, whatever light shone out of Heaven, the flight of days and weeks and years, by some new shadow on that solemn ground.
I'm clearly most well known for my music. Eventually, ultimately, I'll be writing books. I'm still writing articles now. I just consider myself a writer.
Be sure then to read no mean books. Shun the spawn of the press on the gossip of the hour. Do not read what you shall learn, without asking, in the street and the train.
The regular course of studies, the years of academical and professional education, have not yielded me better facts than some idle books under the bench at the Latin School.
Every great literature has always been allegorical - allegorical of some view of the whole universe. The 'Iliad' is only great because all life is a battle, the 'Odyssey' because all life is a journey, the Book of Job because all life is a riddle.
There is that lovely feeling of one reader telling another, 'You must read this.' I've always wanted to write a book like that, with the sense that you are contributing to the discourse in middle America, a discourse that begins at a book club in a living room, but then spreads. That is meaningful to me.