You have to expose part of yourself to create a character deep enough for readers to care about. You try not to because it's hard and at times shameful, but then when you read those pages over and you see they have no life to them so you throw them away and force yourself to be more honest. So I suppose the answer is I see myself in all my characters, in their best moments and in their worst.
I'm sure something will pop into my head here in the midst of this press conference, with all the pressure of trying to come up with an answer, but it hadn't yet.
I try to make classics. I don't try to make things that aren't good. It's always a pleasure to see that people care about the kind of music I'm making.
I will gradually drop this subject of graveyards. I have been trying all I could to get down to the sentimental part of it, but I cannot accomplish it. I think there is no genuinely sentimental part to it. It is all grotesque, ghastly, horrible.
I am trying to make, before I get through, a picture of the whole world--or as much of it as I have seen. Boiling it down always, rather than spreading it out too thin. (On Writing.)
It is hopeless for the occasional visitor to try to keep up with Chicago-she outgrows his prophecies faster than he can make them. She is always a novelty; for she is never the Chicago you saw when you passed through the last time.
We also want to try and slow down all this foolishness that's going on between the East and West. We gotta understand that Hip Hop is now universal. Hip Hop is not East coast or West coast.
It is enough for me to contemplate the mystery of conscious life perpetuating itself through all eternity, to reflect upon the marvelous structure of the universe which we dimly perceive, and to try humbly to comprehend an infinitesimal part of the intelligence manifested in nature.