Still stands the forest primeval; but far away from its shadow, Side by side, in their nameless graves, the lovers are sleeping.Under the humble walls of the little catholic churchyard,In the heart of the city, they lie, unknown and unnoticed;Daily the tides of life go ebbing and flowing beside them,Thousands of throbbing hearts, where theirs are at rest and forever,Thousands of aching brains, where theirs no longer are busy,Thousands of toiling hands, where theirs have ceased from their labors,Thousands of weary feet, where theirs have completed their journey!
You yourself are to blame. This weeping and wailing and knocking your heads into corners [against brick walls, as it were] will not do you the least good.
Whenever we come upon one of those intensely right words in a book or a newspaper the resulting effect is physical as well as spiritual, and electrically prompt.
My own experience is that once a story has been written, one has to cross out the beginning and the end. It is there that we authors do most of our lying . . . one must ruthlessly suppress everything that is not concerned with the subject. If, in the first chapter, you say there is a gun hanging on the wall, you should make quite sure that it is going to be used further on in the story.
You can either waltz boldly onto the stage of life and live the way you know your spirit is nudging you to, or you can sit quietly by the wall, receding into the shadows of fear and self doubt.
The parody is the last refuge of the frustrated writer. Parodies are what you write when you are associate editor of the Harvard Lampoon. The greater the work of literature, the easier the parody. The step up from writing parodies is writing on the wall above the urinal.
He only has freedom who ideally loves freedom himself and is glad to extend it to others. He who cares to have slaves must chain himself to them. He who builds walls to create exclusion for others builds walls across his own freedom. He who distrusts freedom in others loses his moral right to it.
There is sweet music here that softer falls Than petals from blown roses on the grass, Or night-dews on still waters between walls Of shadowy granite, in a gleaming pass; Music that gentlier on the spirit lies, Than tir'd eyelids upon tir'd eyes; Music that brings sweet sleep down from the blissful skies. Here are cool mosses deep, And thro' the moss the ivies creep, And in the stream the long-leaved flowers weep, And from the craggy ledge the poppy hangs in sleep.
In the long, sleepless watches of the night, A gentle face the face of one long dead Looks at me from the wall, where round its head The night-lamp casts a halo of pale light.
A woman drew her long black hair out tight, And fiddled whisper music on those strings, And bats with baby faces in the violet light Whistled, and beat their wings, And crawled head downward down a blackened wall.
Globalization is a fact, because of technology, because of an integrated global supply chain, because of changes in transportation. And we're not going to be able to build a wall around that.
Amory took to writing poetry on spring afternoons, in the gardens of the big estates near Princeton, while swans made effective atmosphere in the artificial pools, and slow clouds sailed harmoniously above the willow. May came too soon, and suddenly unable to bear walls, he wandered the campus at all hours through starlight and rain.
As former Homeland Security Secretary Janet Napolitano pointed out, if you build a 50-foot wall, you'll soon be confronted with a 51-foot ladder. You need a strategy that involves layered defense: deployed patrols, sophisticated sensor equipment, and surveillance from the air. That is what has had a positive impact over the last generation.
[Fall of the Berlin Wall] is a reminder that the commitment of the United States, to Europe is enduring and it's rooted in the values we share; our commitment to democracy, our commitment to rule of law, our commitment to the dignity of all people in our own countries and around the world.
Snow pursued by the wind is not wholly unlike a retreating army. In the open field it ranges itself in ranks and battalions; where it can get a foothold it makes a stand; where it can take cover it does so. You may see whole platoons of snow cowering behind a bit of broken wall.