I don't regret the fervor, because I do believe, in the African American community but also for other communities, and I know from talking to people, for communities around the world, the election of an African American to the most powerful office on Earth meant things had changed, and not just in superficial ways. That in some irreversible way the world was different.
It's not surprising then they get bitter, they cling to guns or religion or antipathy to people who aren't like them, or anti-immigrant sentiment, or anti-trade sentiment, as a way to explain their frustrations.
It is a true observation of ancient writers, that as men are apt to be cast down by adversity, so they, are easily satiated with prosperity, and that joy and grief produce the same effects. For whenever men are not obliged by necessity to fight they fight from ambition, which is so powerful a passion in the human breast that however high we reach we are never satisfied.
I'm interested in the limits of personality, in the possibility of change, and the saving power of art. Do powerful works of art raise our consciousness to such a degree that we refrain from sliding into moral hazard? Do we take note? Or are we doomed to repetition?
The architect represents neither a Dionysian nor an Apollinian condition: here it is the mighty act of will, the will which moves mountains, the intoxication of the strong will, which demands artistic expression. The most powerful men have always inspired the architects; the architect has always been influenced by power.
Although as a rule the absurd culminates, and it seems impossible for the voice of the individual ever to penetrate through the chorus of foolers and fooled, still there is left to the genuine works of all times a quite peculiar, silent, slow, and powerful influence; and as if by a miracle, we see them rise at last out of the turmoil like a balloon that floats up out of the thick atmosphere of this globe into purer regions. Having once arrived there, it remains at rest, and no one can any longer draw it down again.
Although God is all powerful, He is unable to give more; though supremely wise, He knows not how to give more; though vastly rich, He has not more to give.
A powerful tool in the early stages of developing scenarios is to pretend the interface is magic. If your persona has goals and the product has magical powers to meet them, how simple could the interaction be? This kind of thinking is useful to help designers look outside the box.