I spent a lot of time standing on street corners [of New York City] talking to local residents. I spent time in bookstores and galleries. But most of the time, I really did not have much to do.
Even though everybody who looked at me would call me a Chinese artist, that's the 1980s. New York in the '80s was not so interesting. I think it's quite narrow-minded. There wasn't much encouragement or opportunities for any artist - not just Chinese artists.
The city seen from the Queensboro Bridge is always the city seen for the first time, in its first wild promise of all the mystery and the beauty in the world.
I have at last, after several months' experience, made up my mind that [New York] is a splendid desert--a domed and steepled solitude, where the stranger is lonely in the midst of a million of his race.
Over the great bridge, with the sunlight through the girders making a constant flicker upon the moving cars, with the city rising up across the river in white heaps and sugar lumps all built with a wish out of non-olfactory money. The city seen from the Queensboro Bridge is always the city seen for the first time, in its first wild promise of all the mystery and the beauty in the world.
When the doors to television were opened to me, that was quite a surprise. It's been such a gift that there was so much TV and independent film happening in New York that I could be a part of. There was something to satiate my desire to be artistic and creative, especially when it wasn't in the way I originally thought it was going to be.
Lo! body and soul!--this land! Mighty Manhattan, with spires, and The sparkling and hurrying tides, and the ships; The varied and ample land,--the South And the North in the light--Ohio's shores, and flashing Missouri, And ever the far-spreading prairies, covered with grass and corn.
I was in New York, miserable because I was working supper clubs but I wasn't expressing myself. I was really unhappy with my life. I saw Max Roach again and he told me I didn't have to do things like that. He made me an honest woman on the stage. I have been performing in that tradition since. I feel that I'm a serious performer now whereas then I wanted to be but I didn't know how.
You have set up in New York Harbor a monstrous idol which you call Liberty. The only thing that remains to complete that monument is to put on its pedestal the inscription written by Dante on the gate of hell: All hope abandon ye who enter here.
I wasn't born with a silver spoon in my mouth; I came from really humble beginnings - the projects of New York City - and I worked my way to get to where I am.
The coffee shop is a great New York institution, but it has terrible coffee. And the more traditional coffee shops are trying to catch up with more sophisticated coffee drinkers.
I remember watching Ring of Honor as a fan, going to shows in Philadelphia and New York, and I loved the guys. I thought these are some of the best wrestlers in the world, if not THE best.
In New York, the impact of these concentrated superskyscrapers on street scale and sunlight, on the city's aniquated support systems, circulation, and infrastructure, on its already tenuous livability, overrides any aesthetic. ... Art becomes worthless in a city brutalized by overdevelopment.