The great dividing line between books that are made to be read and books that are made to be bought is not the purely modern thing it seems. We can trace it, if we try, back to the first printing-presses.
Every true American likes to think in terms of thousands and millions. The word 'million' is probably the most pleasure-giving vocable in the language.
We have but the memories of past good cheer, we have but the echoes of departed laughter. In vain we look and listen for the mirth that has died away. In vain we seek to question the gray ghosts of old-time revelers.
I am eighty years old. There seems to be nothing to add to this statement. I have reached the age of undecorated facts - facts that refuse to be softened by sentiment, or confused by nobility of phrase.
What strange impulse is it which induces otherwise truthful people to say they like music when they do not, and thus expose themselves to hours of boredom?
There is a secret and wholesome conviction in the heart of every man or woman who has written a book that it should be no easy matter for an intelligent reader to lay down that book unfinished. There is a pardonable impression among reviewers that half an hour in its company is sufficient.
Diaries tell their little tales with a directness, a candor, conscious or unconscious, a closeness of outlook, which gratifies our sense of security. Reading them is like gazing through a small clear pane of glass. We may not see far and wide, but we see very distinctly that which comes within our field of vision.
When the contemplative mind is a French mind, it is content, for the most part, to contemplate France. When the contemplative mind is an English mind, it is liable to be seized at any moment by an importunate desire to contemplate Morocco or Labrador.