So that's why one of my rules of parody writing is that it's gotta be funny regardless of whether you know the source material. It has to work on its own merit.
In fact, when I come up with an idea for a parody I try to resist the urge to Google the idea to see if someone has done it already because the answer is almost always, "Yes, of course they have, they've thought of it!"
I'm a music fan, and I can listen to the radio, or music, without thinking, "How am I going to screw this up?" [Laughs] If I'm really actively trying to think of a parody, then I'll have my antenna out, and be a little more proactive about it.
I don't want to pooh-pooh modern pop. I appreciate that as well, but my personal favorite kind of music is guitar-based rock. I like grunge and garage bands and alternative music, but that's more my personal taste.
I have very mixed feelings about it. On one hand, I’m concerned that the rampant downloading of my copyright-protected material over the Internet is severely eating into my album sales and having a decidedly adverse effect on my career. On the other hand, I can get all the Metallica songs I want for FREE! WOW!
I'm always a little leery about doing shows where I'm not the headliner because when I first started playing in 1982 I opened for Missing Persons and got pelted for 45 minutes. After that, I made the decision to headline no matter what, even if I was playing to seven people. I wanted people to be there to see me.
My process for the parodies is that I get an idea for a song and then get approval from the artist and then go in and record it and probably try to get it out as soon as possible.
I don't really look at myself as the kind of person who craves attention, but I've never been to therapy so there's probably a lot of stuff about myself that I don't know.
If I could find the right kind of property, get tied in with the right movie, I'd love to be involved, but I just find it hard to be motivated to do another screenplay right now.
I write and write and write, and then I edit it down to the parts that I think are amusing, or that help the storyline, or I'll write a notebook full of ideas of anecdotes or story points, and then I'll try and arrange them in a way that they would tell a semi-cohesive story.
I've always known that if I recorded an album, it would come out, and people would enjoy it! Whereas if I wrote a movie script, chances are better than even that I'd just be another guy in L.A. with a movie script in his drawer.