When I'm really, really angry, if I'm privileged enough to be next to someone who can hold my anger, I'll definitely take them up on holding the bucket.
When I'm off the road, my husband and I recharge our batteries. It's a day of deep rest and connection with the spiritual, and that can be anything - going for a walk in nature, being in silence, burning incense.
All of my unconscious fears were in my face about letting go of the current identity. A lot of the thoughts that came up were fear-based and false, so I had to work to let them go.
When someone has a very urgent response, I think it just means that it's triggering something in them that they may not necessarily want to think or talk about - which I see as a positive thing.
In a perfect world, there would be no censorship, because there would be no judgement. I find the hypocritical aspect disconcerting, to say the least. We can show people being murdered on television, but I'm not able to say "chickenshit" in public. At the same time, I understand that people are afraid. Because I think censorship is about fear. It's just fear being projected onto art.
At some point, I would like to write a book and other things, but I work best when there is some sort of deadline in my own mind, but not when fifty people or fifty million people are breathing down the back of my neck.
I was always such a people-watcher. I would sit on street corners alone and watch people and make up stories about them in my head. Then, all of a sudden, I was the one being watched.
What I try to keep in mind is that there are going to be a lot of articles that are going to be misrepresentative of what I'm about as a person and as a writer.
I was motivated by just thinking that if you had all this external success that everyone would love you and everything would be peaceful and wonderful.