In the evolution of knowledge-mistaken and unnecessary beliefs are forced out and supplanted by truer and more necessary knowledge. So too in the evolution of feelings, which takes place by means of art. Lower feelings-less kind and less needed for the good of humanity-are forced out and replaced by kinder feelings which better serve us individually and collectively. This is the purpose of art.
I wanted to run after him, but remembered that it is ridiculous to run after one's wife's lover in one's socks; and I did not wish to be ridiculous but terrible.
Though it is possible to utter words only with the intention to fulfill the will of God, it is very difficult not to think about the impression which they will produce on men and not to form them accordingly. But deeds you can do quite unknown to men, only for God. And such deeds are the greatest joy that a man can experience.
We are all created to be miserable, and that we all know it, and all invent means of deceiving each other. And when one sees the truth, what is one to do?
In order to know what he is, a man must first know what the sum of this mysterious humanity is, a humanity made up of people who, like himself, do not understand what they are.
In our age the common religious perception of men is the consciousness of the brotherhood of man - we know that the well-being of man lies in the union with his fellow men. True science should indicate the various methods of applying this consciousness to life. Art should transform this perception into feeling.
If you asked someone, 'Can you play the violin?' and he says, 'I don't know, I have not tried, perhaps I can,' you laugh at him. Whereas about writing, people always say: 'I don't know, I have not tried,' as though one had only to try and one would become a writer.
You've said nothing, of course, and I ask nothing," he was saying; "but you know that friendship's not what I want: that there's only one happiness in life for me, that word that you dislike so...yes, love!