The secret studies of an author are the sunken piers upon which is to rest the bridge of his fame, spanning the dark waters of oblivion. They are out of sight, but without them no superstructure can stand secure.
Magnificent autumn! He comes not like a pilgrim, clad in russet weeds; not like a hermit, clad in gray; but like a warrior with the stain of blood in his brazen mail.
The Helicon of too many poets is not a hill crowned with sunshine and visited by the Muses and the Graces, but an old, mouldering house, full of gloom and haunted by ghosts.
The tragic element in poetry is like Saturn in alchemy, the Malevolent, the Destroyer of Nature ; but without it no true Aurum Potabile, or Elixir of Life, can be made.
Under a spreading chestnut-tree The village smithy stands; The smith, a mighty man is he, With large and sinewy hands; And the muscles of his brawny arms Are strong as iron bands.
Look at this vigorous plant that lifts its head from the meadow, See how its leaves are turned to the north, as true as the magnet; This is the compass-flower, that the finger of God has planted Here in the houseless wild, to direct the traveller's journey. Over the sea-like, pathless, limitless waste of the desert, Such in the soul of man is faith.
Authors have a greater right than any copyright, though it is generally unacknowledged or disregarded. They have a right to the reader's civility. There are favorable hours for reading a book, as for writing it, and to these the author has a claim. Yet many people think that when they buy a book they buy with it the right to abuse the author.
To-day, to-morrow, every day, to thousands the end of the world is close at hand. And why should we fear it? We walk here, as it were, in the crypts of life; at times, from the great cathedral above us, we can hear the organ and the chanting choir; we see the light stream through the open door, when some friend goes up before us; and shall we fear to mount the narrow staircase of the grave that leads us out of this uncertain twilight into life eternal?
Doubtless criticism was originally benignant, pointing out the beauties of a work rather that its defects. The passions of men have made it malignant, as a bad heart of Procreates turned the bed, the symbol of repose, into an instrument of torture.
Welcome, Disappointment! Thy hand is cold and hard, but it is the hand of a friend. Thy voice is stern and harsh, but it is the voice of a friend. Oh, there is something sublime in calm endurance, something sublime in the resolute, fixed purpose of suffering without complaining, which makes disappointment oftentimes better than success!