When I feel that something I'm writing is going well, everything in my life is good and the things in my life that aren't good are completely manageable. If it's not going well, Miss America could be standing there in a swimsuit handing me a nobel price and I wouldn't be happy about it
There are, first of all, two kinds of authors: those who write for the subject's sake, and those who write for writing's sake. The first kind have had thoughts or experiences which seem to
them worth communicating, while the second kind need money and consequently write for money.
That is the true genius of America, a faith in the simple dreams of its people, the insistence on small miracles. That we can say what we think, write what we think, without hearing a sudden knock on the door.
Even when laws have been written down, they ought not always to remain unaltered. As in other sciences, so in politics, it is impossible that all things should be precisely set down in writing; for enactments must be universal, but actions are concerned with particulars. Hence we infer that sometimes and in certain cases laws may be changed.
The mind can proceed only so far upon what it knows and can prove. There comes a point where the mind takes a higher plane of knowledge, but can never prove how it got there. All great discoveries have involved such a leap
It is a good thing to write for the amusement of the public, but it is a far higher and nobler thing to write for their instruction, their profit, their actual and tangible benefit.
The Stolen and Perverted Writings of Homer & Ovid, of Plato & Cicero, which all men ought to contemn, are set up by artifice against the Sublime of the Bible
Whether the darken'd room to muse invite, Or whiten'd wall provoke the skew'r to write; In durance, exile, Bedlam, or the Mint, Like Lee or Budgel I will rhyme and print.
The great thing is to last and get your work done and see and hear and learn and understand; and write when there is something that you know; and not before, and not too damned much after.
When you catch an adjective, kill it. No, I don't mean utterly, but kill most of them--then the rest will be valuable. They weaken when they are close together. They give strength when they are far apart.
There are, first of all, two kinds of authors: those who write for the subject's sake, and those who write for writing's sake. ... The truth is that when an author begins to write for the sake of covering paper, he is cheating the reader; because he writes under the pretext that he has something to say.