Fame, money and the size of the market are not very important to me. What is, is writing a book that is worth doing and then publishing it. I don't write books for entertainment, for people to pass the time then throw away.
I am trying to get the hang of this new fangled writing machine, but I am not making a shining success of it. However, this is the first attempt I have ever made & yet I perceive I shall soon & easily acquire a fine facility in its use. ... The machine has several virtues. I believe it will print faster than I can write. One may lean back in his chair & work it. It piles an awful stack of words on one page. It don't muss things or scatter ink blots around. Of course it saves paper.
I haven't written for a few days, because I wanted first of all to think about my diary. It's an odd idea for someone like me to keep a diary; not only because I have never done so before, but because it seems to me that neither I-nor for that matter anyone else-will be interested in the unbosomings of a thirteen -year -old schoolgirl. Still, what does that matter? I want to write, but more than that, I want to bring out all kinds of things that lie buried deep in my heart.
If a writer knows enough about what he is writing about, he may omit things that he knows. The dignity of movement of an iceberg is due to only one ninth of it being above water.
This neglect of a very important Brazilian writer is, in my view, the result of Brazil's relative isolation from what metropolitan tastemakers. If João Gilberto Noll were writing in French or German or even Russian, it's likely he'd be more broadly translated.