Shame on such a morality that is worthy of pariahs, and that fails to recognize the eternal essence that exists in every living thing, and shines forth with inscrutable significance from all eyes that see the sun!
Men judge generally more by the eye than by the hand, for everyone can see and few can feel. Every one sees what you appear to be, few really know what you are.
He felt like a man who, after straining his eyes to peer into the remote distance, finds what he was seeking at his very feet. All his life he had been looking over the heads of those around him, while he had only to look before him without straining his eyes. p 1320
Milk-livered man,
That bear'st a cheek for blows, a head for wrongs;
Who hast not in thy brows an eye discerning
Thine honor from thy suffering; [that not know'st
Fools do those villains pity who are punished
Ere they have done their mischief. Where's thy drum?
France spreads his banners in our noiseless land,
With plumed helm thy state begins to threat,
Whilst thou, a moral fool, sits still and cries
'Alack, why does he so?']
Creation rather than painting, or if painting, yet such, and with such co-presence of the whole picture flash'd at once upon the eye, as the sun paints in a camera obscura. (Describing his poetic ideal, 1817)
...the administration of the law can never go lax where every individual sees to it that it grows not lax in his own case, or in cases which fall under his eyes.
There is only a perspective seeing, only a perspective 'knowing'; and the more affects we allow to speak about one thing, the more eyes, different eyes, we can use to observe one thing, the more complete will our 'concept' of this thing, our 'objectivity,' be.
Well, in that hit you miss. She'll not be hit With Cupid's arrow. She hath Dian's wit, And, in strong proff of chastity well armed, From Love's weak childish bow she lives uncharmed. She will not stay the siege of loving terms, Nor bide th' encounter of assailing eyes, Nor ope her lap to saint-seducing gold. O, she is rich in beauty; only poor That, when she dies, with dies her store. Act 1,Scene 1, lines 180-197
It was a foggy day in London, and the fog was heavy and dark. Animate London, with smarting eyes and irritated lungs, was blinking, wheezing, and choking; inanimate London was a sooty spectre, divided in purpose between being visible and invisible, and so being wholly neither.
Most people go on living their everyday life: half-frightened, half indifferent, they behold the ghostly tragic-comedy that is being performed on the international stage before the eyes and ears of the world.
Bleak, dark, and piercing cold, it was a night for the well-housed and fed to draw round the bright fire, and thank God they were at home; and for the homeless starving wretch to lay him down and die. Many hunger-worn outcasts close their eyes in our bare streets at such times, who, let their crimes have been what they may, can hardly open them in a more bitter world.
It is very important for I think those of us who desperately want peace, who see war as, at some level, a break-down, a manifestation of human weakness, to understand that sometimes it’s also necessary – and you know, to – to be able to balance two ideas at the same time; that we are constantly striving for peace, we are doubling up on our diplomacy, we are going to actively engage, we are going to try to see the world through other people’s eyes and not just our own.
Oh! too convincing--dangerously dear-- In woman's eye the unanswerable tear! That weapon of her weakness she can wield, To save, subdue--at once her spear and shield.