To speak in literature with the perfect rectitude and insouciance of the movements of animals and the unimpeachable of the sentiment of trees in the woods and grass by the roadside is the flawless triumph of art.
Viewed freely, the English language is the accretion and growth of every dialect, race, and range of time, and is both the free and compacted composition of all.
The wild gander leads his flock through the cool night, Ya-honk! he says, and sounds it down to me like an invitation: The pert may suppose it meaningless, but I listen closer, I find its purpose and place up there toward the November sky.
I Think it is lost.....but nothing is ever lost nor can be lost . The body sluggish, aged, cold, the ember left from earlier fires shall duly flame again.
Will you seek afar off? You surely come back at last, In things best known to you, finding the best, or as good as the best, In folks nearest to you finding the sweetest, strongest, lovingest; Happiness, knowledge, not in another place, but this place-not for another hour, but this hour.
Apart from the pulling and hauling stands what I am, Stands amused, complacent, compassionating, idle, unitary, Looks down, is erect, or bends an arm on an impalpable certain rest, Looking with side-curved head curious what will come next, Both in and out of the game and watching and wondering at it.
Books are to be called for and supplied on the assumption that the process of reading is not a half-sleep, but in the highest sense an exercise, a gymnastic struggle; that the reader is to do something for himself.
Sure as the most certain sure, plumb in the uprights, well entretied, braced in the beams, Stout as a horse, affectionate, haughty, electrical, I and this mystery here we stand.