The major asset in this category is gold, currently a huge favorite of investors who fear almost all other assets, especially paper money (of whose value, as noted, they are right to be fearful). Gold, however, has two significant shortcomings, being neither of much use nor procreative. True, gold has some industrial and decorative utility, but the demand for these purposes is both limited and incapable of soaking up new production. Meanwhile, if you own one ounce of gold for an eternity, you will still own one ounce at its end.
You look at a star for two reasons, because it is luminous, and because it is impenetrable. You have beside you a sweeter radiance and a greater mystery, woman.
If the union of these States, and the liberties of this people, shall be lost, it is but little to any one man of fifty-two yearsof age, but a great deal to the thirty millions of people who inhabit these United States, and to their posterity in all coming time.
We say that if a temple, or a symbol, or an image helps you to realize the Divine within, you are welcome to it. Have two hundred images if you like. If certain forms and formulas help you to realize the Divine, God speed you; have, by all means, whatever forms, temples, whatever ceremonies you want to bring you nearer to God. But do not quarrel about them; the moment you quarrel, you are not going Godward, you are going backward towards the brutes.
Differentiation of treatment is not motivated by the difference of value of the two races, but of the fundamental difference of their respective natures.
Once in a while it vanishes - in the sense that I become deaf to beauty for a week or two or three. This coming and going of the inner life - because this is what it is - is a curse and a blessing. I don't need to explain why it's a curse. A blessing because it brings about a movement, an energy which, when it peaks, creates a poem. Or a moment of happiness.
When one gives whatever one can without restraint, the barriers of individuality break down. It no longer becomes possible to tell whether it is the student offering himself to the teacher, or the teacher offering herself to the student. One sees only two immaculate beings, reflecting one another like a pair of brilliant mirrors.
The artist usually sets out -- or used to -- to point a moral and adorn a tale. The tale, however, points the other way, as a rule. Two blankly opposing morals, the artist's and the tale's. Never trust the artist. Trust the tale. The proper functions of a critic is to save the tale from the artist who created it.
As to spelling the very frequent word though with six letters instead of two, it is impossible to discuss it, as it is outside the range of common sanity. In comparison such a monstrosity as phlegm for flem is merely disgusting.
When a person meets the half that is his very own, whatever his orientation, whether it's to young men or not, then something wonderful happens: the two are struck from their senses by love, by a sense of belonging to one another, and by desire, and they don't want to be separated from one another, not even for a moment.
In Koln, a town of monks and bones,
And pavement fang'd with murderous stones,
And rags and hags, and hideous wenches,
I counted two-and-seventy stenches,
All well defined, and several stinks!
Ye nymphs that reign o'er sewers and sinks,
The River Rhine, it is well known,
Doth wash your city of Cologne;
But tell me, nymphs! what power divine
Shall henceforth whash the river Rhine.