Only in the problem play is there any real drama, because drama is no mere setting up of the camera to nature: it is the presentation in parable of the conflict between Man's will and his environment: in a word, of problem.
Every man is a revolutionist concerning the thing he understands. For example, every person who has mastered a profession is a skeptic concerning it, and consequently a revolutionist.
People have pointed out evidences of personal feeling in my notices as if they were accusing me of a misdemeanor, not knowing that criticism written without personal feeling is not worth reading. It is the capacity for making good or bad art a personal matter that makes a man a critic.
It has taken me nearly twenty years of studied self-restraint, aided by the natural decay of my faculties, to make myself dull enough to be accepted as a serious person by the British public; and I am not sure that I am not still regarded as a suspicious character in some quarters.
NAPOLEON: What shall we do with this soldier, Giuseppe? Everything he says is wrong. GIUSEPPE: Make him a general, Excellency, and then everything he says will be right.
The notion that the colonel need be a better man than the private is as confused as the notion that the keystone need be stronger than the coping stone.
When the world goes mad, one must accept madness as sanity; since sanity is, in the last analysis, nothing but the madness on which the whole world happens to agree.
A man's interest in the world is only the overflow from his interest in himself. When you are a child your vessel is not yet full;so you care for nothing but your own affairs. When you grow up, your vessel overflows; and you are a politician, a philosopher, or an explorer and adventurer. In old age the vessel dries up: there is no overflow: you are a child again.