The intelligible forms of ancient poets, The fair humanities of old religion, The power, the beauty, and the majesty That had their haunts in dale or piny mountain, Or forest by slow stream, or pebbly spring, Or chasms and watery depths, all these have vanished; They live no longer in the faith of reason.
Yet with these April sunsets, that somehow recall My buried life, and Paris in the spring, I feel immeasurably at peace, and find the world To be wonderful and youthful afterall
The sole purpose is to provide infinite springs, at which the soul may allay the eternal thirst TO KNOW which is forever unquenchable within it, since to quench it, would be to extinguish the soul's self.
Out of my deeper heart a bird rose and flew skywards.
Higher and higher did it rise, yet larger and larger did it grow.
At first it was but like a swallow, then a lark, then an eagle, then as vast as a spring cloud, and then it filled the starry heavens.
Out of my heart a bird flew skywards. And it waxed larger as it flew. Yet it left not my heart.
The good of man is the active exercise of his soul's faculties. This exercise must occupy a complete lifetime. One swallow does make a spring, nor does one fine day. Excellence is a habit, not an event.
And you are entirely free from head-ache? That is good -- good -- considering it is the first spring you have been free from it since we were acquainted. I am afraid you will get so well, and fat, and young, as to be wanting to marry again.
Joy is everywhere; it is in the earth's green covering of grass: in the blue serenity of the sky: in the reckless exuberance of spring: in the severe abstinence of grey winter: in the living flesh that animates our bodily frame: in the perfect poise of the human figure, noble and upright: in living, in the exercise of all our powers: in the acquisition of knowledge. . . Joy is there everywhere.
The thorn tree just began to bud
And greening stained the sheltering hedge,
An many a violet beside the wood
Peeped blue between the withered sedge;
The sun gleamed warm the bank beside,
'Twas pleasant wandering out a while
Neath nestling bush to lonely hide,
Or bend a musings o'er a stile.
Dirty days hath September
April June and November
From January up to May
The rain it raineth every day
All the rest have thirty-one
Without a blessed gleam of sun
And if any of them had two-and-thirty
They'd be just as wet and twice as dirty."
"April hath put a spirit of youth in everything.
I visited the Museum of Modern Art last spring and spent time with David Alfaro Siqueiros's painting, 'Echo of a Scream (1937).' I got spun out by the way he creates tension and movement through the interlocking details in the painting. This poem began as an emulation of Siqueiros's compositional style and, in the process, became an ekphrastic aubade about my old neighborhood.
March is the month of expectation,
The things we do not know,
The Persons of Prognostication
Are coming now.
We try to sham becoming firmness,
But pompous joy
Betrays us, as his first betrothal
Betrays a boy.