I think I tend to destroy the better paintings, or those that have been better to a certain extent. I try and take them further, and they lose all their qualities, and they lose everything. I think I would say that I destroy all the better paintings.
I'm sure something will pop into my head here in the midst of this press conference, with all the pressure of trying to come up with an answer, but it hadn't yet.
I try to go throughout my daily life just as if nothing has changed, but you don't have much anonymity anymore, which feels really good. People come up, and say hi and they enjoy your work.
I've gotten to try on voices very different than my own, and I've become much more aware of structure than ever before. Also, you really weigh every word. There's no closer reading then when you read to translate.
Whoever knows he is deep tries to be clear, but whoever wants to seem deep to the crowd tries to be obscure. For the crowd supposes that anything it cannot see to the bottom must be deep: it is so timid and goes so unwillingly into the water.
With a popular show, you know that there's expectations there, so that's a little nerve-wracking when you're new and you're just trying to find your legs on something, but it's exciting, too, because that's what we work so hard for.
Improvisation sometimes seemed more like jazz than acting, like verbal jazz, with the actors playing a theme back and forth, and then introducing another theme, incorporating it, somehow trying to work their way all together to a meaning of some kind, or at least a conclusion.
I guess my feeling is that if you’re going to make a joke, that’s fine, but you should also sort of stand behind it, you know? A joke should be more than a joke, it should be a point that you’re trying to make.
The unknown is not measurable by the known. Time cannot measure the timeless, the eternal, that immensity which has no beginning and no end... when we try to measure something which is not measurable, we only get caught in words.