Some say the world will end in fire, Some say in ice. From what I've tasted of desire, I hold with those who favor fire. But if it had to perish twice I think I know enough of hate To say that for destruction ice Is also great And would suffice.
We can make a little order where we are, and then the big sweep of history on which we can have no effect doesn't overwhelm us. We do it with colors, with a garden, with the furnishings of a room, or with sounds and words. We make a little form, and we gain composure.
You've got to be brave and you've got to be bold. Brave enough to take your chance on your own discrimination, what's right and what's wrong, what's good and what's bad.
I was under twenty when I deliberately put it to myself one night after good conversation that there are moments when we actually touch in talk what the best writing can only come near. The curse of our book language is not so much that it keeps forever to the same set phrases . . . but that it sounds forever with the same reading tones. We must go out into the vernacular for tones that haven't been brought to book.
The style is the man. Rather say the style is the way the man takes himself; and to be at all charming or even bearable, the way is almost rigidly prescribed. If it is with outer seriousness, it must be with inner humor. If it is with outer humor, it must be with inner seriousness. No other way will do.
I have stood still and stopped the sound of feet When far away an interrupted cry Came over houses from another street, But not to call me back or say good-bye.
A poem begins with a lump in the throat; a homesickness or a love sickness. It is a reaching-out toward expression; an effort to find fulfillment. A complete poem is one where an emotion has found its thought and the thought has found words.
Our lives laid down in war and peace may not
Be found acceptable in Heaven's sight.
And that they may be is the only prayer
Worth praying. May my sacrifice
Be found acceptable in Heaven's sight.