I do original songs in the style of other artists, where I try to learn all their musical idiosyncrasies and try to do something that sounds like them and yet is a bit more sick and twisted.
I like to think that I've gotten better at what I do. I spend more time and pay more attention to detail album after album. But pretty much it's stayed the same.
I'll bet every great thinker and leader we've got
Could see all kinds of things other people could not!
So then why get upset if somebody like me
Tries to look at the world just a bit differently?
I'd like to be able to be more topical and timely and more of-the-moment and I think the way to do that is, instead of waiting until I have twelve songs to release all at once, just to release them as I come up with them.
It was difficult to get into my friends' rock bands when I was a teenager. They somehow didn't see the need for an accordion player. That's when I realized that I had to find my own path in life.
In a genre where most of the artists are one-hit wonders, I've been able to hang around longer than most "serious" acts. I pride myself in being a very talented leech.
In the '80s, I was the only game in town, I was the only one getting that kind of exposure in any rotation on MTV. Now with internet culture it seems like everyone is doing music parodies. And they're not all good!
I'm a music fan, and I can listen to the radio, or music, without thinking, "How am I going to screw this up?" [Laughs] If I'm really actively trying to think of a parody, then I'll have my antenna out, and be a little more proactive about it.
I'm an ugly girl, My face makes you hurl, Sad I have it, I should bag it. Acne everywhere, Unwanted facial hair. I'm a relation to Frankenstein's creation.
I make charts of songs that are good candidates, good targets, so to speak. Then I try to come up with ideas for parodies. And 99% of those ideas are horrible.
I decided that I wanted to be a voice on every animated cartoon in the history of the world - even shows that haven't been on the air for a very long time, that's going to be harder to pull off.
So that's why one of my rules of parody writing is that it's gotta be funny regardless of whether you know the source material. It has to work on its own merit.
One of my pet peeves is that sometimes the talents of my band get overlooked because, and it was the same problem that Frank Zappa had, with a lot of groups that use humor, people don't realize there's a lot of craft behind the comedy.
I think I'm equally as abusive as the editors normally are for the "Letters and Tomatoes" column, which is the fan mail part of MAD Magazine and an ongoing feature.