The test of any good fiction is that you should care something for the characters; the good to succeed, the bad to fail. The trouble with most fiction is that you want them all to land in hell, together, as quickly as possible.
Leaving out the gamblers, the burglars, and the plumbers, perhaps we do put our trust in God after a fashion. But, after all, it is an overstatement. If the cholera or black plague should come to these shores, perhaps the bulk of the nation would pray to be delivered from it, but the rest would put their trust in The Health Board.
So you see, the quality of humor is not a personal or a national monopoly. It's as free as salvation, and, I am afraid, far more widely distributed. But it has its value, I think. The hard and sordid things of life are too hard and too sordid and too cruel for us to know and touch them year after year without some mitigating influence, some kindly veil to draw over them, from time to time, to blur the craggy outlines, and make the thorns less sharp and the cruelties less malignant.
I always did hate for anyone to know what my plans or hopes or prospects werefor, if I kept people in ignorance in these matters, no one could be disappointed but myself, if they were not realized.
When a man stands on the verge of seventy-two you know perfectly well that he never reached that place without knowing what this life is - heartbreaking bereavement.
It is not like studying German, where you mull along, in a groping, uncertain way, for thirty years; and at last, just as you think you've got it, they spring the subjunctive on you, and there you are. No- and I see now plainly enough, that the great pity about the German language is, that you can't fall off it and hurt yourself. There is nothing like that feature to make you attend strictly to business.