I lay my eternal curse on whomsoever shall now or at any time hereafter make schoolbooks of my works and make me hated as Shakespeare is hated. My plays were not designed as instruments of torture. All the schools that lust after them get this answer, and will never get any other.
You can easily find people who are ten times as rich at sixty as they were at twenty but not one of them will tell you that they are ten times as happy
Don't order any black things. Rejoice in his memory; and be radiant: leave grief to the children. Wear violet and purple. Be patient with the poor people who will snivel: they don't know; and they think they will live for ever, which makes death a division instead of a bond.
To a professional critic (I have been one myself) theatre-going is the curse of Adam. The play is the evil he is paid to endure in the sweat of his brow; and the sooner it is over, the better.
The roulette table pays nobody except him that keeps it. Nevertheless a passion for gaming is common, though a passion for keeping roulette tables is unknown.
People have pointed out evidences of personal feeling in my notices as if they were accusing me of a misdemeanor, not knowing that criticism written without personal feeling is not worth reading. It is the capacity for making good or bad art a personal matter that makes a man a critic.