It is governed by minorities, seldom or never by majorities. It suppresses its feelings and its beliefs and follows the handful that makes the most noise. Sometimes the noisy handful is right, sometimes wrong, but no matter, the crowd follows it.
It makes one hope and believe that a day will come when, in the eye of the law, literary property will be as sacred as whiskey, or any other of the necessaries of life. It grieves me to think how far more profound and reverent a respect the law would have for literature if a body could only get drunk on it.
The modern patriotism, the true patriotism, the only rational patriotism is loyalty to the Nation all the time, loyalty to the Government when it deserves it.
It is easy to make plans in this world; even a cat can do it; and when one is out in those remote oceans it is noticeable that a cat's plans and a man's are worth about the same. There is much the same shrinkage in both, in the matter of values.
A big leather-bound volume makes an ideal razorstrap. A thing book is useful to stick under a table with a broken caster to steady it. A large, flat atlas can be used to cover a window with a broken pane. And a thick, old-fashioned heavy book with a clasp is the finest thing in the world to throw at a noisy cat.
Wherein lies a poet's claim to originality? That he invents his incidents? No. That he was present when his episodes had their birth? No. That he was first to repeat them? No. None of these things has any value. He confers on them their only originality that has any value, and that is his way of telling them.
Conductor, when you receive a fare, Punch in the presence of the passenjare. A blue trip slip for an eight-cent fare, A buff trip slip for a six-cent fare, A pink trip slip for a three-cent fare, Punch in the presence of the passenjare! Punch, brothers! punch with care! Punch in the presence of the passenjare!
What work I have done I have done because it has been play. If it had been work I shouldn't have done it. . . . The work that is really a man's own work is play and not work at all. . . . When we talk about the great workers of the world we really mean the great players of the world.
As soon as a man recognizes that he has drifted into age, he gets reminiscent. He wants to talk and talk; and not about the present or the future, but about his old times. For there is where the pathos of his life lies - and the charm of it. The pathos of it is there because it was opulent with treasures that are gone, and the charm of it is in casting them up from the musty ledgers and remembering how rich and gracious they were.