Nothing flatters me more than to have it assumed that I could write prose, unless it be to have it assumed that I once pitched a baseball with distinction.
Sarcastic Science, she would like to know,
In her complacent ministry of fear,
How we propose to get away from here
When she has made things so we have to go
Or be wiped out. Will she be asked to show
Us how by rocket we may hope to steer
To some star off there, say, a half light-year
Through temperature of absolute zero?
Why wait for Science to supply the how
When any amateur can tell it now?
The way to go away should be the same
As fifty million years ago we came-
If anyone remembers how that was
I have a theory, but it hardly does.
Life is tons of discipline. Your first discipline is your vocabulary; then your grammar and your punctuation Then, in your exuberance and bounding energy you say you're going to add to that. Then you add rhyme and meter. And your delight is in that power.
I'd like to get away from earth awhile And then come back to it and begin over. May no fate wilfully misunderstand me And half grant what I wish and snatch me away Not to return. Earth's the right place for love: I don't know where it's likely to go better.
I was under twenty when I deliberately put it to myself one night after good conversation that there are moments when we actually touch in talk what the best writing can only come near. The curse of our book language is not so much that it keeps forever to the same set phrases . . . but that it sounds forever with the same reading tones. We must go out into the vernacular for tones that haven't been brought to book.
And one of the three great things in the world is gossip, you know. First there's religion; and then there's science; and there's-and then there's friendly gossip. Those are the three-the three great things.
It should be of the pleasure of a poem itself to tell how it can. The figure a poem makes. It begins in delight and ends in wisdom. The figure is the same for love.